‘Survival through Sickness: Reimagining the Zombie in Martin O’Brien’s The Unwell (2017),’ Â鶹ƵµÀ, ‘It Is True, We Shall Be Monsters’: New Perspectives on Sci-fi, Horror, and the Monstrous Onscreen, Cinema and Television History Institute (CATHI) Post-Graduate Conference, 13th June 2018.
‘God’s Own Country: Queering the Masculine in the Yorkshire Dales,’ University of Sheffield, Representing Gender in the North: 1945 to the Present Conference, 23rd May 2018.
‘Pleasure, Pain, Performance: Audience, Performer and Communal Acts of Subversion,’ Â鶹ƵµÀ, Borderlines V – Falling, Standing, Performing Conference, 22nd June 2017.
‘Wheezing Coughs and Limping Zombies: Overflow and Excess in the Practice of Martin O’Brien,’ Kampnagel; Hamburg, Performance Studies International Conference – Overflow, 10th June 2017.
‘Liberation Through Queer Pain: Endurance, Suffering and Challenging the Normative in the Practice of Martin O'Brien,’ Â鶹ƵµÀ, Centre for Interdisciplinary Research in Dance Postgraduate Symposium, Trauma and Embodiment, 31st May 2017.
‘Figuratively Limp, Literally Sexy: The Ambiguous Sexual Body of Dani Ploeger,’ Brunel University, Performing the Penis Roundtable, 3rd March 2017.
‘A Bite of Queer Flesh: Overflow and Excess in the Practice of Martin O’Brien,’ York Art Gallery, Naked Acts - Flesh and Queer Symposium, 31st January 2017.
‘Nude, Erect and Toned: Dani Ploeger and His Queer Performance Art Practice,’ Sapienza University; Italy, Dance and Performance Post-Graduate Conference, 7-8th April 2016.